Put simply, The Prodigy are no tourists – and never were. From the very start The Prodigy were renegade revolutionaries. They turned metal kids onto raving and ravers into metalheads and put out genre destroying record after genre defying record. After racking up a solid discography of remixes for the likes of Gloria Estefan. They took the poison to places where other bands feared to tread and became the first of their generation of bands to play in Russia, Romania, Serbia and Macedonia. This is a cool remix of the classic prodigy tune,out of space,drum and. They brought UK electronic music to the US heartland and took no prisoners with their raw and incendiary live performances. They dominated the illegal rave scene, challenged anti-rave legislation and redefined the whole idea of what a band should be like. While others have followed the corporate whoring cash cow and delivered their souls to the mainstream machine, The Prodigy trio have stayed defiantly underground and remained true to themselves. Their albums have dominated charts all over the planet. Main man Liam Howlett and vocalists Maxim and Keef Flint have soundtracked the midnight hours with iconic tracks like ‘Charly’, ’Out of Space’, ‘Firestarter’, ‘Smack My Bitch Up’, ‘Omen’ and ‘The Day is My Enemy’. The Prodigy is one of the most culturally significant bands of the last thirty years.
Each and every turn in their story has been one of determined independence. Not for them the bandwagon jumping, sales chasing genre shifts of so many of their contemporaries either. Not for them rehash after reboot of their biggest hits. Since their inception in the heady rave days of the UK’s last truly oppositional subculture, they’ve eschewed the obvious and followed the path less trodden. The Prodigy has never taken the lazy tourist route.